In 1960s Florida, two boys meet by chance while fishing outside a yacht club where only one of them would be allowed inside.
One is white, from a beach-side family of moderate financial means. The other is Black, from the neighborhood west of the railroad tracks where segregation confined his community.
Despite the racial divide that defines their world, they become true friends—bonded by something deeper than either understands. Both are sons of struggling mothers: one lost to drugs, the other drowning in alcohol. Both have sworn they'll never follow that path. But addiction doesn't honor promises or boundaries.
As the boys descend into the same darkness they'd vowed to avoid, their friendship endures through arrests, overdoses, and tragic loss. When they finally face the choice between destruction and redemption, an unexpected ally helps them both claw their way back.
White Sugar, Brown Sugar is a raw, unflinching story of friendship across the color line, the universality of addiction, and the hard-won hope of recovery. It's about two boys who lose everything—and find their way home together.

INSPIRATIONAL FICTION CATEGORY
For White Sugar, Brown Sugar


“Sometimes a debut novel really surprises the reader with its scope and depth..”
— John Williamson

I began writing White Sugar, Brown Sugar, at the age of 18, on an old black underwood typewriter. I was bound and determined to become a Hemingway.
After doing too many drugs after my parents divorced, I thought I was cured and I could help others avoid or stop using drugs. But it turns out that I wasn’t ready to be trying to help anybody at that time
Once I did clean up, I continued writing the book for quite a while, including while studying creative writing at the University of Florida as part of my undergraduate studies in English.
I recall reading portions of it in class and getting good feedback. I received some great advice from the professor, Sterling Watson. I attended a talk in which Mr. Watson spoke at the Miami International Book Fair a few years ago and thanked him for writing, ‘Get closer to his head’ at the top right-hand corner of a short story that was part of the book.
I continued writing the book for many, many years, and sent it to the editor of my first non-fiction books, TOEFL Preparation Guide and its successors, published by Cliffs Notes, Inc. My editor pointed out correctly that my fiction book wasn’t deep enough. So, I kept writing.
In the book, I presented that we white kids on the beachside of Daytona Beach had certain types of drugs, like psychedelics, but when we wanted to go to narcotic drugs, we needed to go across the river and the railroad tracks. So, there were two different cultures now involved, and I decided to show how Blacks were discriminated against in oceanfront cities across Florida.
After working on that new interracial view for a few years, I was driving the family van on the northeast coast of the U.S when I was in my 30s, with the young kids fighting in the back seat, and I suddenly told myself that there was something wrong. I was dealing with race and the difference of cultures through only a white boy’s eyes. I needed a black character.
I used the first name of a teenager who was in drug rehab with me. And that guy had reddish hair, so everybody called him Red. So, he became a new character, and I created a family around him. I also had worked in a cafeteria chain founded in Mobile, Alabama as a teenager, and I thought it was racist, so I used that as well.
Much of the book is at least based partially upon many events that really happened, and people who really existed, but I embellished (or made more horrific) whatever I remembered, so it still is truly fiction. But my friends who read it knew instantly that I was describing much about my mother and father as well as myself. And many realized instantly that I was referring to a well-known Baptist Minister in the Daytona Beach area who founded a drug rehab center.
I finally self-published White Sugar, Brown Sugar in 2012, when I was 59 years old. You will realize that the characters have bit parts in my second book Cuban Roots and they and their children, who were young in White Sugar, Brown Sugar, are major characters in my third book, Giga Trouble.

Michael A. Pyle originally published White Sugar, Brown Sugar under a pen name because as a practicing lawyer with older clients, he was afraid that if anybody read it and realized he was the author and probably one of the characters, he’d lose clients.
However, after a local newspaper revealed who he really was and readers began making only positive comments and writing positive reviews, he republished it under his real name.
